ICONIC WOMEN

Portraits Beyond the Public Image

Some women become icons. Their faces, achievements and stories become part of our collective memory.

But what lies beyond the public image?

In this series, Frank van Hemert explores the inner presence of remarkable women — artists, thinkers, leaders and women who have challenged the world around them. These are not conventional portraits, but intuitive interpretations of the person behind the familiar image.

The familiar image becomes a starting point for something less visible: character, vulnerability, strength, imagination and the unknown self.

The portrait is not an answer. It is a question.

Portrait of Frida Kahlo by Frank van Hemert, Iconic Women series
Frida Kahlo

FRIDA KAHLO

4 portraits

Beyond the self-portrait

In these portraits I am not trying to reproduce the icon. I am interested in the presence behind the image — the woman who looked back at the world through her own constructed face.

Portrait of Hannah Arendt by Frank van Hemert, Iconic Women series
Hannah Arendt

HANNAH ARENDT

Beyond the thinker

I am interested not only in the intellectual behind the ideas, but in the presence of the woman herself — the tension between thought, solitude and the human being behind the formidable mind.

Portrait of Paula Modersohn-Becker by Frank van Hemert, Iconic Women series
Paula Modersohn-Becker

PAULA MODERSOHN-BECKER

Beyond the self-portrait

In these portraits I look beyond the historical figure and the artist. I am searching for the woman who dared to look at herself without disguising what she saw — vulnerable, uncompromising and profoundly alive.

Portrait of Josephine Baker by Frank van Hemert, Iconic Women series
Josephine Baker

JOSEPHINE BAKER

Beyond the performance

I am interested in the woman behind the performer — the strength, vulnerability and determination beneath the dazzling public image.

Portrait of Whitney Houston by Frank van Hemert, Iconic Women series
Whitney Houston

WHITNEY HOUSTON

Beyond the voice

In this portrait I look beyond the singer and the celebrity. I am searching for the woman behind the voice — where immense talent, vulnerability, beauty and the pressures of being an icon meet.

Portrait of Marlene Dumas by Frank van Hemert, Iconic Women series
Marlene Dumas

MARLENE DUMAS

Beyond the artist

To portray another artist is also to enter into a dialogue with her way of looking. In this portrait I am not simply depicting Marlene Dumas, but searching for the presence behind the artist who has spent her life questioning the image of others.

Portrait of Annie Leibovitz by Frank van Hemert, Iconic Women series
Annie Leibovitz

ANNIE LEIBOVITZ

Beyond the camera

Here the relationship is reversed. The woman who normally stands behind the camera becomes the subject of the portrait. I am interested in the presence of the observer when the observer herself becomes visible.

Portrait of Brigitte Bardot by Frank van Hemert, Iconic Women series
Brigitte Bardot

BRIGITTE BARDOT

Beyond the icon

I look beyond the cinematic icon and the image projected onto her. What remains when the fantasy disappears? What lies behind the face that the world thought it already knew?

Portrait of Rosa Luxemburg by Frank van Hemert, Iconic Women series
Rosa Luxemburg

ROSA LUXEMBURG

Beyond the revolutionary

In this portrait I am interested in the woman behind the revolutionary — the intellect, passion and vulnerability that existed alongside her political determination. The public figure becomes, once again, a human presence.

Portrait of Georgia O'Keeffe by Frank van Hemert, Iconic Women series
Georgia O'Keeffe

GEORGIA O'KEEFFE

6 portraits

Beyond the flower

In these six portraits I return to O’Keeffe again and again, searching for different aspects of the same presence. Each portrait becomes another encounter — not an attempt to define her, but to approach something that remains unseen.

Six portraits. One woman. Six different encounters with the unseen self.

BEYOND THE IMAGE

Every portrait begins with what we think we know.

A face.
A name.
A history.
A public image.

Painting can open a space beyond recognition.

The image remains visible, yet something else begins to emerge — something uncertain, intimate, and impossible to fully comprehend.

Perhaps that is where the portrait truly begins.

Not the person we know.
Not the image we remember.
But the presence that remains unknown.

Visualizing the unknown self.